You could try this by improvise using the tones c, d, e, g and a over the chords C, F, G, Em and Am. In pop music, for example, you often decrease your tone pattern to only five. Sometimes lesser notes will make it sound better. The minor keys are relative to the major keys and therefore using the same chords. So, for example, you could start with Am and create progressions with the chords in the key of C. The Am chord is the minor relative to the C major chord.

It is, however, possible to start a progression with a minor chord (or use it as the tonal center), which the table the below show. The table above focus on major keys with a major chord as the first chord a sequence (or at least working as the tonal center).

Sometimes you could stick to only major or minor chords, but it will often be monotonic in longer sequences. You should combine both major and minor chords, this is a mix that enriches the music. So how do you use the table? If you have the progression D - G - A - D and want to play the “same” progression in the key of Eb you exchange all the chords to the ones that could be found on the row below (or the column to the right), and you will get the progression Eb - Ab - Bb - Eb. The table below show transpositions for all keys. Sometimes you want to change key, but keep the relative intervals between the chords. If you are not satisfied and want further enhancement just continue reading. Here are some ideas of chord progression created by using Table 1: By utilizing only a few of the keys and choose from the chords that belongs to them should give you thousands of possibilities. The table above serves you a foundation for tons of possible chord arrangements. 'I') represents major and small letters (e.g. For example, I - ii - iii is the same as C - Dm - Em or D - Em - F#m. These are used to generalize sequences of chords, to describe a structure instead of a specific chord progression. You may wonder about the Roman numerals in the table above. The table tells you, for example, that you can combine the chords C, Dm, Em, F, G, Am and Bdim in all possible ways … and it will not be any disharmony. The table below gives you the guidelines. So how to avoid dissonance? Stay in the same key is the simple answer. If you shift from one chord to another at random, you will now and when experience dissonance. Creating piano chord progression – chords that match Nevertheless, you must learn how to combine chords to create an appealing harmony on your piano. A piano player will in many cases add some melody notes to the harmony created by the chords. The guitar may be the ultimate chord instrument in the way the chords by themselves make great music. As soon as you have learned chords, you want to combine them in a way that creates music.

Between the bars piano chords